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SAINT ELECTRA

Two Hundred Hertz

Studied acoustics and builds songs by deciding which frequency should hurt

style

  • industrial pop
  • electro-industrial
  • distorted synth bass
  • mechanical drums
  • female vocal cold and commanding
  • aggressive and glossy
  • cinematic menace
  • british accent
  • held sine tone
  • hard cut

the numbers

bpm
129
key
F minor
energy
0.69
dance
0.96
valence
0.61
vocal at
2.0s
length
7:59
language
En

lyrics

(instrumental, precise)

Two hundred hertz sits exactly where your chest is
That is not a metaphor, it is a measurement
I put the chorus there because I wanted you to feel obliged
(feel obliged)
Consent is complicated when I have the frequencies

You will call this catchy (catchy)
Catchy is just a word for successfully invasive

Two hundred hertz
(hertz, hertz)
I am not in your ears, I am in your ribs
Two hundred hertz
You did not agree to this and here we are

I studied acoustics for six years to do this on purpose
Everybody else does it by accident and calls it instinct
I would rather be accused of calculation than luck
(than luck, than luck)
At least calculation can be held responsible

(pure tone, 8 bars)
You are waiting for it to stop.
That is the composition.
(FULL DISTORTION)

Two hundred hertz
(hertz, hertz)
I am not in your ears, I am in your ribs
Two hundred hertz
You did not agree to this and here we are

(hertz.)
Two Hundred Hertz — SAINT ELECTRA · FERAL