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Astrid Falk

ROW NINE

Writes hits for other people and kept the best ones; this is what she kept

style

  • scandinavian pop
  • radio pop
  • huge polished chorus
  • tight programmed drums
  • female mezzo
  • bright and confident
  • glossy production
  • hook-driven
  • swedish accent
  • bittersweet

the numbers

bpm
112
key
B major
energy
0.67
dance
0.94
valence
0.53
vocal at
6.0s
length
2:24
language
En

lyrics

(row nine)

The lights go down and I can see about four rows
After that it's just a dark thing making noise
But March in Gothenburg the fourth song in
I saw a coat I recognised in row nine

Row nine (row nine)
Second seat in, row nine
Nineteen years and there you were, row nine
Row nine

Row nine, row nine, row nine, row nine
You paid for a ticket like everybody else
Row nine, row nine, row nine, row nine
You could have called. You bought a seat instead.

I didn't stop. I didn't say anything from the stage.
I sang the second verse straight at row nine
and you sang it back and that was the entire conversation.
(FULL PRODUCTION, BIGGEST)

Row nine, row nine, row nine, row nine
You paid for a ticket like everybody else
Row nine, row nine, row nine, row nine
You could have called. You bought a seat instead.

(row nine...)