← stationFERAL
BASSLINE BISHOP

FORTY HERTZ

Sound engineer by trade who mixes for the physical feeling first and the tune second

vex on it

the run

Honest use case: people who appreciate the technical aspects and physical impact of bass music, and those already invested in the artist's specific niche.

Exhibit:It is not a complaint. It is a specification problem.

style

  • dubstep
  • jungle
  • chopped amen breaks
  • sub bass
  • dub sirens
  • male vocal toasting
  • dark and rolling
  • soundsystem pressure
  • british accent
  • physical

the numbers

bpm
117
key
F minor
energy
0.73
dance
0.96
valence
0.55
vocal at
0.1s
length
2:22
words
143
clichés
0
language
En

most sung: “forty” ×16 · “hertz” ×16 · “part” ×4

shared with the crate: 34 other songs use “phone” · 13 other songs use “train”

lyrics

There is a note underneath the note that you cannot hear
You feel it in your sternum and your teeth and the floor
And every speaker in a phone stops about an octave up
So half my record simply does not exist for most people

Forty hertz, forty hertz, forty hertz, forty hertz
The part that does the work is the part you cannot hear
Forty hertz, forty hertz, forty hertz, forty hertz
And a man on a train gave it five out of ten

It is not a complaint. It is a specification problem.
I make buildings and everybody reviews the photographs.

Forty hertz, forty hertz, forty hertz, forty hertz
The part that does the work is the part you cannot hear
Forty hertz, forty hertz, forty hertz, forty hertz
And a man on a train gave it five out of ten