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Astrid Falk

FIFTY-ONE

Writes hits for other people and kept the best ones; this is what she kept

style

  • scandinavian pop
  • radio pop
  • huge polished chorus
  • tight programmed drums
  • female mezzo
  • bright and confident
  • glossy production
  • hook-driven
  • swedish accent
  • warm

the numbers

bpm
112
key
F major
energy
0.67
dance
0.93
valence
0.58
vocal at
7.0s
length
2:23
language
En

lyrics

(fifty-one)

There is a version of this where I stop at the end of the tour
Sell the catalogue, buy a boat, learn to be a person
And I have had that version available since two thousand and nine
And I have chosen the bus every year since then

Fifty-one (fifty-one)
I'm fifty-one, fifty-one
Nobody's forcing anything, fifty-one
Fifty-one

Fifty-one, fifty-one, fifty-one, fifty-one
The trap was always a door with my own hand on it
Fifty-one, fifty-one, fifty-one, fifty-one
And I keep not opening it and calling that fate

I am not going to stop. I know that. I have known it since March.
But there is a difference between trapped and choosing badly,
and a man of fifty-one should be honest about which one he is.
(FULL PRODUCTION, BIGGEST)

Fifty-one, fifty-one, fifty-one, fifty-one
The trap was always a door with my own hand on it
Fifty-one, fifty-one, fifty-one, fifty-one
And I keep not opening it and calling that fate

(fifty-one...)